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With 3 number one albums in 2012, Grammy winning mix engineer Ruadhri Cushnan is at the top of this game. Shortly after Mumford and Sons' album "Babel" was awarded 'Album of the Year' at the Grammys, Ruahdri made time in his busy schedule to chat...
 
Everyone has been talking about Dave Grohl's new documentary Sound City a lot lately. That's cool; it's a fun romp of a movie, even if Dave can't decide whether he's making a film about a Neve console, a dying studio, a rock star jam session or an...
 
With news of Neil Young pushing to get studio quality audio out to the consumer, it occurred to me that it would be good to get some perspective on how we go about comparing audio quality.  One of the most problematic issues surrounding audio...
 
While the debates over traditional DAWs often seem to go around in perpetual circles, in the arena of dedicated audio editing Sound Forge has been the clear victor for many a studio professional for over 20 years now. Previously only available...
 
In a fascinating and really open Facebook debate initiated by fellow producer, cycling enthuiasist, and coffee-drinking pal, Eric Ambel (www.ericambel.com), I was alerted to what was finally a clear insight into how and why Spotify could possibly...
 
In a fascinating and really open Facebook debate initiated by fellow producer, cycling enthuiasist, and coffee-drinking pal, Eric Ambel (www.ericambel.com), I was alerted to what was finally a clear insight into how and why Spotify could possibly...
 
Here's a recent email I received: "I am interested in what you do and how you do it. I guess I am not the average person looking to get into audio engineering. I am 44 and I am an anesthesiologist looking for a second career. I am an audiophile,...
 
I'm about to write something that at first will seem like another gray-beard waxing nostalgic for a by-gone analog era. But, stick with me, because I think the tables are turning to where going analog might be as forward-thinking as it gets. Let's...
 
Everyone has been talking about Dave Grohl's new documentary Sound City a lot lately. That's cool; it's a fun romp of a movie, even if Dave can't decide whether he's making a film about a Neve console, a dying studio, a rock star jam session or an...
 
The history of recording music is half folklore. Tales of insinuation and glory have us turned around to the point where we don't know much about what really happened during most of the great...
 
With news of Neil Young pushing to get studio quality audio out to the consumer, it occurred to me that it would be good to get some perspective on how we go about comparing audio quality.  One of the most problematic issues surrounding audio...
 
Dear Tape Op Reader, We wanted to let you, the folks we make this magazine for, aware of a fundamental change in our business.  Short version: We are cutting our ad rates nearly in half. Why? Here's the long version: Tape Op is an...
 
Legendary British sound engineer and producer Andy Johns has died at the age of 61. During his more-than-thirty-year career, Johns worked with some of rock music's biggest names, engineering records for Led Zeppelin, The Rolling Stones, Eric...
 
This is a fascinating article about a brand new study in human auditory perception that is showing that there have been "naive" applications of mathematical formulas onto our understanding of human auditory perception. I cannot claim to...
 
So for quite a while now we've been trying to figure out how to best bring the full Tape Op print magazine into the digital era, and we've think we've settled on some sort of mobile app..but we'd really like your input before committing to one...
 
We had over 450 guests at this year's party! It was a great success. Check out the videos below for some visual insight into the Austin festivities. Full recap of the party from top to bottom. TAPE OP PARTY CELEBRITY INTERVIEW! John...
 
After reading Larry's "Eliminate Variables" End Rant from last issue, I was compelled to write a response. Don't get me wrong, I agree completely with everything he said; so before you read any further, revisit the back page of issue #92. I...
 
I don't want to explore this concept with as many words as I might for a Tape Op "End Rant", but I had to dump this shit out of my mind immediately. Someone dropped me a line recently; "I'd like you to hear this record I worked on. We didn't use EQ,...
 
Yes, this is where I found myself running Pro Tools today. I WAS able to combine my favorite things: cooking, beer, coffee and recording. 
 
Over the last few years we've seen an explosion of online music services. Pandora, iTunes, Spotify, Rhapsody, Soundcloud and dozens of other platforms are touted as groundbreaking ways to deliver music to listeners. But this success is on the...
 
Wall Street PR reports on the woes of Avid, the company behind Pro Tools. What does the future hold? I'm just terrified of having to learn a new platform, buying more gear and software, and there not being a de facto DAW standard for professional...
 
Ever since publishing Tape Op #88, we've been receiving an endless supply of requests to turn the cover art by Kim Krans into some more viewing-optimal format. And so today, we give you the "How A Bunny Sounds" Poster. Please enjoy!
 
Dear Tape Op Reader, We wanted to let you, the folks we make this magazine for, aware of a fundamental change in our business.  Short version: We are cutting our ad rates nearly in half. Why? Here's the long version: Tape Op is an...
 
Over the last few years we've seen an explosion of online music services. Pandora, iTunes, Spotify, Rhapsody, Soundcloud and dozens of other platforms are touted as groundbreaking ways to deliver music to listeners. But this success is on the...
 
I just read an excellent new essay called The Case Against Free in wihch the author suggests that the "free economy" is drying up the economic resources needed to make quality creative works. The article focuses on recordings. It's a well...
 
I don't want to explore this concept with as many words as I might for a Tape Op "End Rant", but I had to dump this shit out of my mind immediately. Someone dropped me a line recently; "I'd like you to hear this record I worked on. We didn't use EQ,...
 
A band I work with is two weeks away from their release date. They've worked tirelessly to prepare for this release, hired an excellent publicist, shot videos, toured....they've done it all right and without fatigue. That record is the most...
 
A couple of years ago I purchased a download package that a friend's band, Blue Skies for Black Hearts, was offering up. It was a generous offer, proceeds went towards a good cause, and the band is really fun (not to mention that the bandleader,...
 
Wall Street PR reports on the woes of Avid, the company behind Pro Tools. What does the future hold? I'm just terrified of having to learn a new platform, buying more gear and software, and there not being a de facto DAW standard for professional...
 
Tape Op: Now in Both Analog & Digital Flavors. "Fantastic! I just love reading this Tape Op interview in binary!" It's been a long time coming, but we are really excited to announce that Tape Op is now officially available worldwide on...
 
 

Welcome to the Jul/Aug 2011 issue of Tape Op!

I was out at a club watching some bands play the other night, but in the back of my mind I was wondering what to write about for the intro of this issue. Then it hit me. I'd been telling some friends at the show what a pleasure working on a recent album was, as the musicians involved were really good players and it was fun to work on. I'd also been enjoying the show I was at as I marveled at the quality of the musicians onstage. I suddenly realized what I wanted to say.

Sometimes we forget how or why we ventured off into this world of music recording. For myself, this path began with my interest in electronics and sound. Eventually I became more of a musician, playing in bands and such; but, in my opinion, I never became a great musician. Getting to work with players that intuitively understand and support a song with their abilities is a treat. At times I've felt privy to the best "private performances" I'll ever see from my favorite artists. For a kid that grew up obsessing over music and albums, being able to help capture these moments while working with great musicians and songwriters is certainly its own reward. I feel lucky.

#84

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