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May/June 2000

Welcome to issue #17 of Tape Op.

Welcome to Tape Op #17.

Recently someone asked me why we ran interviews with artists, especially if they didn't have any real technical knowledge to impart about the recording process. Well, what would we be recording if it wasn't for artists and their music? The level of involvement that a songwriter/band/composer takes in the recording process can be very enlightening. Some artists want producers and engineers to handle as much of the recording as possible. Others want their hands on the faders the whole time. It's enlightening to see how different people work in the studio, and that's what TAPE OP is all about. I hope you agree. If there are things that you want to read about, let us know, and if you'd like to write for our magazine, get in touch!

Thanks, Larry Crane


IN THIS ISSUE

Mercury Rev
May 15, 2000 NO. 17 Interview

Mercury Rev: Talk about Dave Fridmann

Another fact is that last year they released one of the best American records in a long time, Deserter Songs. Recorded by the hot producer of the day, Dave Fridmann, it was an instant classic. We were...

Robyn Hitchcock
May 15, 2000 NO. 17 Interview

Robyn Hitchcock: Songs, not sounds

Robyn Hitchcock has long been one of my favorite artists, whether it's the spastic psychedelia of his former group The Soft Boys or one of his many solo records, there's always great songs with catchy...

Ween
May 15, 2000 NO. 17 Interview

Ween: Recording vocals in car trunks

Ween gets away with murder. It is one of the few bands that writes, records, and releases exactly what it wants. The group's songs can be daring, funny, offensive, and tender. Composed of Mickey Melch...