Check out the new St. Vincent LP, All Born Screaming, and video for the track "Broken Man" out now. The album was recorded and mixed by Cian Riordan who interviewed Annie Clark (aka St. Vincent) for Tape Op #134.
During one of the many calls I have on a regular basis with my musician and audio professional friends, it dawned on me what a priveldge these conversations are and thought it might be a good idea to share them with a larger audience as a way to take...
Part One - by Larry Crane
1/13/04It's been snowing and frozen here in Portland for a week - not something this town is used to. Many businesses were shut down and traffic wasn't moving, even though it wasn't that much snow. I feel dumb as my town...
April 15th marks the 25th anniversary of Tape Op Magazine! To mark the occasion, Tape Op founder and editor Larry Crane is making a series of short videos talking about the journey of the mag and some of the memories had along the...
In line with Andy Hong's list of gear (issue #66) he's reviewed in the past that he still finds amazing, here's a list of stuff I was using this last month that I think deserves special credit for the amount of times I fall back on these pieces and...
I got to see ex-Grandaddy Jason Lytle play a semi-secret first band-backed show (with ex-bandmate Aaron Burtch) last Saturday. Quite fun and a great set of new songs. Jasons' album, Yours Truly, the Commuter, comes out May 19 on ANTI- records. We...
Larry Crane adds an update to Marc Alan Goodman's orginal review of the Burl B80 Mothership.
Marc Alan Goodman says in his original review, “It's rare to find a single piece of gear that elevates not only my entire...
Our pal Ronan Chris Murphy does this cool "TV" show on his site, http://ronansrecordingshow.com, and the most recent one is with me and John Baccigaluppi where we talk about Tape Op Magazine. I think it's a good insight into how the mag works and who...
Malian guitarist Mdou Moctar's new release, Funeral for Justice, is a wild ride. From the almost Iron Maiden-sounding moments of the title track "Funeral for Justice", to the frentic energy of "Sousoume Tamacheq", to the ethereal and more...
***This is a guest "re-post" from the SoundGirls website (courtesy of SoundGirls and Ainjel Emme)***
THE DOUBLE GLAZED GLASS CEILING: Women and the Grammy for "Producer of the Year, Non-Classical"
by Ainjel Emme
(originally...