One of my favorite records of 2024 to date is Phosphorescent’s Revelator. It’s a beautifully recorded album, featuring Matthew Houck's timeless songwriting and lyrics plus gorgeous arrangements. I was hooked the first time I heard the...
Dear Tape Op Reader,
We wanted to let you, the folks we make this magazine for, aware of a fundamental change in our business.
Short version: We are cutting our ad rates nearly in half.
Why?
Here's the long version: Tape Op is an...
I just wanted to make sure everyone knows that we have finally published Phill Brown's book. In issue #12 Larry Crane and Chris Eckman interviewed Phill Brown, a producer/engineer with credits like Mott the Hoople, David Bowie, Sly Stone, Led...
Speaking of the art world, reader Halsey Burgund sent a link to his installation that “involves some unconventional recording techniques, mainly doing it wirelessly and using lots of open-source and customized software.” Looks like fun...
Matt Fordham did the great interview with Buddy Miller in Tape Op #34. He also has this great blog, Record Ready, with video tutorials on recording techniques and tips. Many are Pro Tools based, in case you're looking for help in that department. He...
Below is a Guest Post from Jim Janik:
Album Credits Are Just As Important As the Money We Make (maybe more so)
by: Jim Janik
Have you ever googled yourself? I have. In fact, I have to. Like many freelancers in the music industry, it's just one of...