Matt McGlynn over at the informative Recording Hacks site has a section devoted to Tape Op mic reviews. Not all of them are up yet, and we're not quite sure why he wanted to tackle this project (crazy? smart? nice guy?) but it's up there. Now I can read some of my old reviews and cringe.
Tape Op is a bi-monthly magazine devoted to the art of record making.
Fire Extinguishers in the Studio - [Note to our EU readers. I don't know if the U.S. letter conventions apply in your locale, but the fundamental suggestions in this post are universal.]
It’s a really smart idea to have a couple of fire...
I'm not actually going to review the music on this record; it's free, just go get it and listen to it yourself. Instead, I'm a bit fascinated by the mechanics of the release itself. As my wife said when I told her I had the record, "Does anybody...
I opened my commercial recording studio (Jackpot! Recording) in 1997, after years of simultaneously having a busy home studio while working day jobs to pay the rent. Making this leap to a full-time recording engineer/studio owner was terrifying. I...
A few years ago a Northwest music mag (now defunct) interviewed some Portland "best new band" character and the moron spouted out that nothing had been going on in Portland before his band moved to town - that this was the turning point when...
Years ago John Fischbach, a well-established and respected producer/engineer, came to my studio to record an album that our mutual friend, Luther Russell, was producing. [See Tape Op #21.] In those days my studio, Jackpot! Recording, was a diamond...
Larry’s intro to issue #71 was one of his most important notes for engineers in a long time. It’s easy to press play, but not pay attention to the audio hitting our ears. (Have you ever read a book and found your eyes are scanning over...