Tape Log

Man Astonished To Learn Records Were Made Prior to 2004

| | Comments (5)

I pulled short straw and had to go pick up the take out tonight (take away for our UK readers). The radio was set to NPR, so I let it alone. The announcer introduced a new segment called “Listen to This,” that features famous musicians talking about important music that “must not be missed”.

Today’s episode was hosted by Maroon 5 ‘s singer Adam Levine with input from keyboardist Jesse Carmichael. What’s Levine’s not-to-be-missed-recent-CD-discovery?

“PURPLE RAIN” by Prince and the Revolution.

If you’re about to run to the stores or download sites, hold your horses. This was originally released in 1984, so it’s not new. But it was a discovery to Levine, who opens his comments with, “. . . when I heard this I was wondering why no one told me about this before. . .” He goes on to explain how he recently learned that Prince made a movie called Purple Rain, and that this CD was the accompanying sound track.

Ladies and Gentlemen of the Jury, this is where Mr. Haines LOOSES HIS $(%#-ing MIND!

No one “told” you about it?
No one “told” you about it?
What????
Princepurplerain.jpg
Here is a band (Maroon 5), that has more than one Grammy, and a musical high mark such as “Purple Rain” is a new discovery to him? Dear Lord in Heaven what kind of world is this?

Why does this push my buttons? Because I frequently speak to bands that record at Treelady who cite their guitar/musical influences as: Munkey and Head from Korn, John Mayer, or one of the Jonas Brothers. So, I’ll ask them, “What about Jimi Hendrix?”

Blank stares.

“OK. What about Van Halen, Townsend, Beck, Page, Young, May, Mould. . . ?”

“Who?” they’ll reply in all seriousness.

Gentle readers: I can’t make this stuff up.

Man, when I was a kid, if you played in a band, you started with ‘Rock around the Clock’ or ‘Heartbreak Hotel’ and worked your way to the present. You may not have owned every record, but you knew about major players. You moved to the Beatles, through the 50’s, and went decade by decade tracing the seminal records. Even if you didn’t like the artist, you knew about people like Led Zeppelin (of course if you missed out, just visit Pittsburgh. If Led Zeppelin isn’t playing on some station at any time of day, the world will end as we know it. . . but that’s another entry).

So its no surprise that many bands churn out bland, boring, derivative puke. They think they just invented the E-A-D chord progression! Mercy!

But just when I’m about to smash my radio with my fist, Mr. Levine dives into a criticism of Prince that is so articulate, insightful, and wise, that he more than redeems himself. He ends with a wallop of a statement, that brings a smile to my face. To paraphrase his conclusion (as I do not have a transcript), “Sometimes we meet people that are so special, we joke that they must be gods, angels, or aliens from another galaxy. But when its all said and done, if I die and learn Prince wasn’t from this planet, I wouldn’t be at all surprised. Because his work comes from the heart, and from a place that most humans never dream to reach.”

Well, my head will hit the pillow tonight knowing the members of Maroon 5 are making up for lost time. But what about the rest of the lemmings?

5 Comments

Garrett, I completely agree, and I had the same reaction when I heard the piece driving home yesterday. "Purple Rain" is certainly part of the canon for anyone who takes pop/rock music seriously, and is perhaps the single most recognizable recording by Prince other than "1999." What do these guys typically listen to on the bus or for reference/inspiration when writing and recording? This says a great deal about NPR and their decision to feature members of a band who probably have less musical background than the average public radio listener under the age of 40. Imagine NPR featuring a film director who "just discovered" ET? I don't know how that slipped by the program directors.
I was having a discussion with a guy who'd put together a show at our infoshop this past weekend about a similar situation. I'm 31 this fall, he was just turning 25. He'd mentioned to one of the bands that had played that they really reminded him of Wire, and they had no idea who he was talking about. We got to talking and I mentioned that for most of my formative music years, that being up to the mid 90's, you had to scour reviews, magazines, zines, record store clerks, labels, who engineered this record, what other band was the keyboardist in, etc . . . these days, the online-only presence allows these bands to be totally isolated and "unique" in their own eyes, never understanding those that came before them, never aware of the outside influences. Consider, too, the backlash against the "this band sounds like that band" type of criticism - now, all anyone wants to read (and write) is iambic purple prose. Even at 25, the guy made the comment that doing all that research was more or less a foreign concept to him. Not just how to do it, but just actually doing it. The crate diggers, the label readers, the trainspotters . . . it's sadly becoming a lost generation.
I have to admit this is not the first time I have seen this kind of thing come up... As for me I write and perform in a genre that really digs into roots and folk music with a taste of swing and jazz, but also have paid my rock and roll dues as well... I grew up without a TV and internet, so I managed to make due with old time radio broadcasts and vinyl that my parents had laying around... I suppose sometime I will have a kid open for me who just figured out what delta blues music is... We had our paths cross with a band from NJ and they had never heard of half the great tunes that we play from our public domain folk set... I guess it's time for some historical education for our up and coming superstars eh? What the heck am I talking about? I'm only 22 years old myself!

Heh. Kids these days!

I was born in the early 60's. I was an avid album note reader as a kid and loved connecting all the dots as far back as they'd go. I would hit the record shops (especially the used record joints) with a head full of names and bands. I'd come home with all kinds of cool stuff, most of which I'd have passed up in ignorance without knowing some history. Thus, I was considered something of a musical throwback, which I always thought was unfair... just because I had a knowledge that went back more than a few months didn't make me uninterested in current music! I generally had to play dumb around my peers if I didn't want to come off as a total geek.

So, allow me to offer some perspective in response to your blog entry. What kind of response do you suppose you'd have received if you'd talked to the youth of 1978 about Hank WIlliams? 25 year time span there. Okay, same kids of 1978, now you talk about Doris Day? 30 years. Glenn Miller? 35 years. The Andrews Sisters? 40 years. Every single one of these artists was in the Top 10 of their time and wildly popular. And you know exactly what the overwhelming majority of the youth of 1978 would say about all of them: either "who?" or "that's music for geezers! Get with it, Grandpa!".

1978... some 31 years ago, when the Van Halen debut album came out.

Ahem.

Bob Mould & Husker Du, 1979... 30 years ago. Angus Young and AC/DC, first album in 1975 and Brian May and Queen with A Night at the Opera, also 1975... 34 years ago. The Who, formed in 1964; The Yardbirds (Beck, Page)... all 45 years ago.

45 years!!! Eek!!! (gulp!)

Of course, the relentless and ongoing cultural tyranny of the baby boomers and "Classic Rock" is giving the artists you mentioned in your article more continuing cultural presence than, say, the Big Band generation ever got. Still, with that all said, why would anyone be amazed if the 20-year-olds of today didn't know about any of it?

The astounding ignorance of youth is nothing new, to be sure. Just be glad when a kid shows interest in older music of any kind and encourage them when you can. And don't be incredulous when your fave vintage artist gets a blank stare... it's your chance to turn them on to something cool, so don't blow it!

Thanks much for the article and the discussion!

Many of my favorite artists and albums draw blanks when I mention them in the studio. It's my job to know more music than my clients do!

Have something relevant to add?