Gear Reviews

Issue #71

NO. 71

Advanced Audio: CM-47 large-diaphragm tube mic

REVIEWED BY Kirt Shearer

It used to be that you couldn't get a large-diaphragm condenser mic for under two grand, and there weren't that many choices anyway. Then some less expensive mics started appearing, and it seemed like every day, the price for an LDC dropped some more. Unfortunately, many of these less...

NO. 71 Gear Review

Art Pro Audio: M-Five Ribbon Microphone

REVIEWED BY Scott McChane
May 15, 2009

Most of us at one time or another have owned or thought about buying an ART product. In my opinion, they offer one of the best price-versus-performance product lines on the market. At the January NAMM show, ART introduced their new M-Series line of microphones, including three FET large-diaphragm...

NO. 71 Gear Review

MXL: V67N small-diaphragm mic

REVIEWED BY Mike Jasper
May 15, 2009

Since November, I've been working on a huge shootout of small-diaphragm condenser mics; I might have mentioned this in my last review. Frankly, I might mention this in every review forever, since it appears the SDC test will never end. Frankly, there's a part of me that wants to keep it...

NO. 71 Gear Review

McDSP: FutzBox plug-in

REVIEWED BY Dave Hidek
May 15, 2009

FutzBox is a brand-new distortion and noise generator plug-in for mashing, destroying, and making low-fidelity versions of your tracks. The main interface offers configurable "futz" effects, including filters, EQ, distortion, noise generation, and gating. Along with these tools, McDSP has...

NO. 71 Gear Review

Rascal Audio: Analogue ToneBuss

REVIEWED BY Thom Monahan
May 15, 2009

Switching between in-the-box mixing, external summing, and console mixing has been a project-by-project reality in my personal world for a long time now. There are merits to all of these different approaches; my personal preference is to mix on a console, but it's not always an option....

NO. 71 Gear Review

Focal Professional: CMS 65 Monitors

REVIEWED BY Allen Farmelo
May 15, 2009

If you work in a purpose-built, acoustically-treated studio in which room anomalies are at a minimum, then the acclaimed Focal SM6 series of monitors (Tape Op #60, #61) is a first-class choice. However, if you work in a tiny bedroom, a vast loft, a low-slung basement, an oddly-shaped attic, an...

NO. 71 Gear Review

Josephson Engineering: C720 variable-pattern mic

REVIEWED BY Andy Hong
May 15, 2009

The C720 Anniversary Special commemorates Josephson's twenty years in business. Like many other large-diaphragm condenser mics employing a two-sided capsule, the C720 has multiple, user-selectable pickup patterns, including cardioid, hypercardioid, subcardioid, omni, and figure-8. But...

NO. 71 Gear Review

Buzz Audio: REQ-2.2 Resonance Equalizer

REVIEWED BY Larry DeVivo
May 15, 2009

I recently sold my beloved solid-state Pultec EQP-1A3 equalizers, so I was in the market for a new unit to fill the empty void left in my mastering rig. Unlike my old Pultec program equalizers, this time I wanted something with more surgical precision to it. If at all possible, I wanted something...

NO. 71 Gear Review

Naiant: X-M omni mic

REVIEWED BY Mike Jasper
May 15, 2009

Since November, I've been working on a huge shootout of small-diaphragm condenser mics; I might have mentioned this in my last review. Frankly, I might mention this in every review forever, since it appears the SDC test will never end. Frankly, there's a part of me that wants to keep it...

NO. 71 Gear Review

Daking: Mic Pre One

REVIEWED BY John Baccigaluppi
May 15, 2009

We have a Daking console here at The Hangar and a pair of his FET compressors that see near constant use, so when Geoff Daking and Brad Lunde at TransAudio Group offered to send us a pair of Mic Pre One preamps to try out, we jumped at the opportunity to use and hear them. We were in the middle of...