Interviews | No. 33
By Tim Scanlin
Dave Sardy is a rare bird in the world of rock production: A virtuoso on both sides of the glass. As the leader and producer of the groundbreaking New York post- hardcore trio Barkmarket, he mined not...
Billy Anderson recorded one of hard rock's most intriguing and fucking coolest albums in history — Jerusalem, by the now-defunct legendary stoner-rock band Sleep. It was a lengthy one-track sonic low-...
The year was 1970. Hidden away in a London suburb with a Studer 4-track, Paul McCartney was clandestinely recording the songs that would form his first solo album, McCartney. 5,000 miles across the At...
Though Emitt [see interview this issue] wrote the songs, played every note, and acted as his own engineer and producer, when mixing time rolled around the tapes were whisked away to Sound City where t...
Tony Levin is one of the masters of bass guitar and the Chapman Stick, having played with King Crimson, Peter Gabriel [Tape Op #143], James Taylor, California Guitar Trio, Paul Simon, John Lennon, Pin...
In many a studio the Empirical Labs Distressor is as much a common sight — and sound — as a guitar amp or coffee machine. And for good reason — it works well, it's highly tweakable, and it sounds grea...
Audio gates are one of the most powerful, yet often overlooked, tools in your recording arsenal. A properly set gate can tighten your drum tracks, clean up your vocals, reduce leakage from other sound...