Interviews | No. 22
By Phill Brown
We interviewed Phill Brown in Tape Op #12. Over the years he's worked with some of the greatest artists ever, like Jimi Hendrix, Joe Cocker, Traffic, Spooky Tooth, Jeff Beck, Led Zeppelin, Robert Palm...
For the last 20 years, Chris Knox's approach to home recording has remained consistently creative and interesting. He has insisted upon approaching the technical limitations of his home studio as a st...
My first exposure to New Zealand pop band the Clean came several years after the release of 1990's Vehicle, and I discovered their early singles and EPs after that. While the songwriting on Vehicle st...
Looking at the resume of Sean Slade and Paul Kolderie is like reading a who's who of '90s rock: Radiohead, Hole, Dinosaur Jr., Uncle Tupelo, Mighty Mighty Bosstones, so on and so forth. I had the priv...
While puzzling through the intricacies of home recording (i.e. knowing what to do when you can't hear yourself through the headphones), San Francisco's Beulah managed to concoct two LPs of brittle, ro...
Jack Drag is really John Dragonetti of Boston- sometimes. John put out the self-titled Jack Drag album in 1996, featuring 10 perfect examples of home-recorded 4-track cassette pop. Then a rhythm secti...
Tucked away in a basement in Brooklyn, NY, is a sweet little studio known as Marlborough Farms. It's also the residence of Gary Olson, the driving force behind The Ladybug Transistor. In this studio G...