While most subjects of Tape Op interviews have discussed their interest in recording, Phill Niblock thinks far more about reproduction of sound. He composes his pieces, which are often described as...
Bogotá, Colombia’s Meridian Brothers are one of my favorite active bands these days. While I’ve been fortunate to see their touring lineup in New York a few times in the last year,...
While Tape Op has covered countless recordists with low-budget, grass-roots backgrounds in rock recording, we've talked to very few grass-roots engineers in the avant-garde music world. Russell...
Pauline Oliveros ranks among the most innovative composers of the last 40 years. Her creative exploration of improvisation and acoustic properties, along with her theatrical pieces and studies of...
While Tape Op has covered countless recordists with low-budget, grass-roots backgrounds in rock recording, we've talked to very few grass-roots engineers in the avant-garde music world. Russell...
I contacted Russell Frehling for a sidebar to my interview with composer Pauline Oliveros. To accompany the Oliveros article, I wanted to include a profile of Deep Listening Space's...
Since Tape Op Magazine only comes out every other month, I assume that our typical reader has a little time left over in which to read and learn more about the art and science of recording. With that...
While you may or may not recognize Mark Bingham's name, his career as a musician, engineer, producer and arranger has spanned four decades. From sessions in the '60s watching the Doors record,...
I initially encountered David First performing a composition of his microtonal drones called "My Veil Evades Detection; My Veil Defies Exhaustion; My Veil and I Divorce" at an old rec...
The Bevis Frond's 1986 debut Miasma could have come from any time, or maybe no time. Nick Saloman's home-recorded, somewhat primitive recording techniques would have fallen under the "lo-fi"...
For the last 20 years, Chris Knox's approach to home recording has remained consistently creative and interesting. He has insisted upon approaching the technical limitations of his home studio as a...
My first exposure to New Zealand pop band the Clean came several years after the release of 1990's Vehicle, and I discovered their early singles and EPs after that. While the songwriting on Vehicle...
I caught up with Vicki Bennett when her solo project, People Like Us, performed at Subterranean in Chicago. While her live performances now include found video footage in addition to sound, Bennett...
