Many Tape Op readers likely can’t imagine that issue #1 was Xeroxed and hand-folded 28 years ago, but it was. People may think of us as DIY, but there’s a long history of so many helping this magazine be its best, beginning with friends who dropped by to collate and staple for free beers! Thanks to all the folks that have worked so hard with us, and to all the amazing subscribers out there! -LC
Tape Op is a bi-monthly magazine devoted to the art of record making.
Check out Ross Healy's VICMODBLOG on analog modular synths. He interviews "people who build and sell modular gear and forgotten electronic musicians." Cool stuff.
Every few years it seems time to give a brief explanation of how Tape Op Magazine "works." We constantly get letters from folks who are amazed that this magazine arrives to them for free. Well, it's actually very simple: you pay for...
This may be the most indispensable tool in my studio. I hear people say that converters don't matter and that most cannot hear the difference. Bullsh*t!
If you cannot accurately hear what you are doing you are making uninformed choices. They call...
Speaking of the art world, reader Halsey Burgund sent a link to his installation that “involves some unconventional recording techniques, mainly doing it wirelessly and using lots of open-source and customized software.” Looks like fun...
In a fascinating and really open Facebook debate initiated by fellow producer, cycling enthuiasist, and coffee-drinking pal, Eric Ambel (www.ericambel.com), I was alerted to what was finally a clear insight into how and why Spotify could possibly...
Yup, I sit at my computer all day editing articles, writing stuff for the mag and answering the ridiculous amount of emails that always seep in over the course of a day.
illus by Eva Kihl
If you're sending tracks to other folks for mixing and/or sorting out, here's a suggestion from our pal Goat(boy), Andrew Gilchrist. -LC
Larry, Sitting on a plane, flying today from Spain to Switzerland, on my seemingly endless tour. Finally...
In the never-ending, century-old battle between corporations and content producers: I give you the latest bit of pro-artist activism. This is taken directly from the Grammy Foundation's website:
Tell Congress to Save Music and Stop the "Pandora...
So you just drop a microphone to the bottom of an 800ft hole in the earth? Damian Wagner (issue 64) checks in with Tape Op.
"I've just returned from a two week audio expedition to Brazil. I was in Brazil to test nine microphones, cables, speakers...